Showing posts with label Mass Invasion. Show all posts
Showing posts with label Mass Invasion. Show all posts

Mass Invasion: Silent Night, Deadly Night


Merry Christmas! And holy crap, this is our 10th Mass Invasion!! WOW! That's super awesome! I decided to tap into the Christmas well again and focus on this little movie because, frankly, I'm dying to cover the sequel, which I feel is better, despite the first 45 minutes being just a recap of this movie.

But I'm getting ahead of myself. "Silent Night Deadly Night" was release in 1984 and was pretty much universally panned by uptight people, including Siskel and/or Ebert (I forget if they both hated it or just one of them). It got a bad rep cause it's a movie about a dude dressed like Santa Claus going around killing topless women. And I guess kids were hard to control in 1984. I was only 4 and my thoughts about it were "MOMMY! I MADE A POOPY AGAIN!"

So apparently, the version released in theaters was heavily edited and this version that we watched (I assumed) put all the edited material back in. As a result, we get a warning off the bat about how certain scenes of the movies look horrible cause they didn't survive the quality transfer or some bullshit like that. Honestly, the added scenes didn't seem too bad. Just some additional shots to scenes that were already in the movie. Honestly, film editors are a weird bunch.

Ok enough of my jibber jabber, let's get on with it. This being the 10th Mass Invasion, you probably know who everyone is just by name by now. So I won't bother with introductions. Ladies and gentlemen, we present to you "Silent Night, Deadly Night".

***
Adam

Here we go! Head's up: The opening credits try to trick you. I'm serious. An innocuous title screen with "Silent Night" and a festive holiday wreath appear on the screen, and suddenly, it EXPLODES in cartoonish blood and the word "Deadly Night "appear! Ok, seriously, did this title think it was fooling anyone? Was Silent Night Deadly Night playing alongside a movie simply called Silent Night? Why the trickery?

Anyway.

From the extremely handy establishing shot, we learn that it's Christmas Eve 1971. A car is driving in a snowy mountainous area. Did I put in "The Shining" by mistake? Inside the car, a happy couple, 4 year old Billy and an infant listen to ridiculously sappy Christmas music. That baby isn't in a car seat! I hope the stupid parents are killed violently.

What's the young family's holiday destination? Is it a traditional family meal with all the relatives? A quest to obtain the perfect tree? Christmas Mass with a tacked-on Nativity play? Nope! They're driving to a mental facility! "Facility: doesn't sound as bad as "asylum," but slightly worse than a mental hospital. Apparently, crazy Grandpa is kept at the facility.

Grandpa is pretty much comatose, and the adults talk about him like he isn't there, then leave Billy alone with him while they fill out paperwork. As soon as they're out of the room, the old man grabs Billy and tells him that Christmas Eve is the scariest night of the year. This is news to me, as I've always considered any night that my creepy grandfather accosted me in the mental hospital to be the creepiest night of the year.

Grandpa tells the kid that Santa punishes all the naughty children on Christmas Eve while creepy music plays in the background. Why is this a revelation? I thought that was the whole shtick. Santa fucks over the bad kids to learn 'em a lesson and rewards the good kids with Power Wheels, Slim Jims, and anal beads. But little Billy seems terrified by this revelation. The parents walk back in and grandpa fakes being comatose again while Billy shits himself (probably).

Billy rats out grandpa while they drive away, and the kid admonishes his parents for being bad, and insists that Santa punishes bad people. Although only 4, Billy is an expert at foreshadowing. The parents seem concerned that grandpa snapped out of his catatonic state, but not concerned enough to turn around and tell the doctor.

Elsewhere, a man dressed as Santa robs a convenience store. The fat shopkeeper gets shot and the murderous Santa makes off with $31. Santa drives off in his awesome car that looks like a red version of the car from the Playstation game Driver. I hope Santa brings me a working Playstation this year! I'd cash in my anal beads to be able to play that game again...

The happy family drives down a desolate country road and runs into the killer Claus, who appears to be having car trouble. Billy, still freaked out about Santa, pleads with his father to keep driving. Unfortunately, nobody listens to whiny-bitch children. After a brief conversation, Santa shoots the father in the head. Billy has foresight enough to run away and hide in a ditch, while mommy does nothing but scream. Santa pulls mommy out of the car, rips off her top and slits her throat while Billy looks on. Thankfully, there's no inappropriate song like "I Saw Mommy Kissing Santa Claus" playing while Santa slits her throat and stares at her rack. Santa can't find Billy, who must have slipped on the Invisibility Cloak that Aunt Rose got him for Christmas, and the scene fades away to 1974...

So let that be a lesson to all the negligent parents out there: Put your kid in a car seat, or Santa will rip off your top and slit your throat.




Maria

After the traumatizing events of that Christmas Eve, Billy is sent to live with the nuns and other orphans in Saint Mary's Home for Orphan Children to be traumatized some more. After Billy draws a picture of Santa with knives sticking out of him and a beheaded reindeer he's sent to see Mother Superior for his punishment. Another nun tries to tell Mother Superior that Billy needs help and he gets worse every Christmas. But Mother Superior thinks that if Billy is punished enough he'll get over it.

The nice nun goes to where Billy has been locked in his room and tells him that it'll be ok if he goes outside and helps build a snowman with the rest of the children. Billy doesn't want to go out at first because Mother Superior will probably be mad but the nice nun convinces him that it'll be fine. Billy leaves his room and hears a lot of squeaking and moaning and heavy sighing coming from somewhere in the orphanage. He follows the sound and he looks in through the key hole and there are two naked people making out in there. I don't know who these people are though. A nun and a delivery boy? Two older orphans that you never see again? People that get turned on by orphanages and just snuck in? And they certainly weren't very discreet considering Billy could hear them down the hallway and around the corner. When Billy sees the girl's naked breasts he flashes back to his mother being brutalized by Santa. Yeah this kid is gonna be really messed up later. Mother Superior finds what's going on, shoves Billy out of the way, flings the door open, grabs a belt and the punishments start flying.

Mother Superior finds Billy outside and tells him that the people that were making out were naughty and they wear doing it because they thought they wouldn't get caught but when you're naughty you're always caught! And when you're naughty you need to be punished! "Punishment is absolute! Punishment is necessary! Punishment is good!"

Billy has a dream where Santa Claus is murdering his parents. He wakes up screaming and runs out of his room. Of course Mother Superior catches him right away. And her solution to all of Billy's problems is to tie him down to his bed!

It's Christmas morning, all the other kids are downstairs and playing with their presents. Billy is finally let out of his room and tells Mother Superior that he's learned his lesson and he'll be good from now on. Of course he's gonna say that when presents are involved. Mother Superior accepts that and lets him have his present. Mother Superior thinks that she has cured Billy and that he'll sit on Santa Claus's lap and behave, but is she ever wrong. After being forced to sit on Santa's lap he punches him in the nose! And then runs to hide in his room knowing that he's in for the punishment of a life time.

Ten years later the nice nun, Sister Margaret, is pleading for the owner of a toy store to give Billy a job. But Mr. Sims doesn't need help from some kid, he needs a man. "Oh here's Billy now," says the Sister. And Billy is buff! I guess the new gym that they added on the orphanage really worked out! Mr. Sims gets a look at Billy and he's hired on the spot. So now we get a wonderful "Billy working at the toy store" montage complete with a "working at the toy store" song. Billy's lifting heavy boxes. And helping people get things on high shelves. He's opening boxes and putting together Mr. Potato Heads. Eating his lunch and making goo goo eyes at one of his cute coworkers. And life is swell! But Christmas is coming soon...



Torture Track? Really?

Rachael
‘Twas the night before Christmas
And all through the store
The shoppers were merry
On the warm side of the door.

Porny coworker was dropping f-bombs
And Billy was lifting some stock
But Billy saw Santa, his face in a scowl
And that really rankled his smock.

Pamela can’t really offer support
As her bra offers none for her
Billy’s a freak with a Santa Complex
Tormented by red suits and fur.

Porny coworker gives Billy more shit
And Santa won’t show for his job
Mr. Sims decides Billy should be Santa Claus
Oh Sims, you are quite the knob.

With Billy as Santa and booze on their lips
The employees drink and get loud
While Porny sweeps Pamela off to the back
To whip out his North Pole away from the crowd.

Pamela falls for Porny’s lame tricks
She’s obviously such a noob
But FINALLY a redeeming point to the flick
We actually get to see boob.

A flashback for Billy of bad things he’s seen
His demons come out of their cage
With an axe and a crossbow and evil in his eyes
He takes down his coworkers with rage.

Off into the night with his axe and his beard
Billy Santa goes out on the run
To bring Christmas tidings to naughty townsfolk
And narrowly missing the nun.

And I heard him exclaim
As he left the toy store
“Got a sack full of whoop-ass
Now who wants some more?”

Devon

Jason loves me so much that he gave me the part of the movie where Linnea Quigley busts out her titties. Hooray! Thanks, Jason! And a Merry Christmas to you, too!

Some carolers who look really grumpy and ready to go home are standing outside someone's house in the suburbs, singing a weird, made-up Christmas song that somebody wrote specifically for this movie because they were paranoid about getting sued. One caroler is totally spazzing out, opening her mouth really wide and jerking her head around as she sings because her acting coach told her it would make her look "expressive."

In the basement of the house directly behind the carolers, Linnea Quigley is laying on a pool table and making out with a shirtless guy. There's a close-up of the guy unsnapping Linnea Quigley's blouse, exposing her luscious bazongas to the camera (Hooray!!). Some little girl suddenly shows up at the top of the stairs and starts whining that she wants to see Santa Claus. Linnea hastily re-snaps her blouse and tells the kid to shut the fuck up and go away. "If you don't go back to bed, Santa won't come!" she yells. "He's not the only one," her boyfriend smirks. The little girl looks crestfallen and putters away. Linnea's boyfriend takes Linnea's shirt off again, looking rightfully triumphant, but then all of a sudden Linnea decides to delay the sex some more by going upstairs and letting the cat in. Her boyfriend is irritated and confused. Linnea pulls on some cut-offs and goes upstairs without a shirt, even though the little girl she's babysitting was just wandering around the house like five seconds ago and Linnea should probably be worried about getting caught. Whatever. Nice boobs, Linnea! Shake it!

Linnea opens the door and stands there for like thirty seconds with no shirt on, yelling loudly into the street for the cat. The carolers, tragically, are gone. They'll never know what they missed.

The cat runs in through the door, and then right at the exact same second, Evil Santa appears and Linnea screams and runs away. He chases her around the house with an axe, and then he picks her up and carries her around for awhile so you can see her ass. Then he impales her on a big pair of taxidermied deer antlers that are mounted on the wall. "PUNISH! PUNIIIIIIISH!!!" he moans. Linnea coughs up some blood and dies.





Downstairs, Linnea's doofy boyfriend is sick of waiting, so he goes upstairs, figures out that something's wrong, discovers her body, and then fights Evil Santa with a fire poker. I think Santa falls down the stairs, but from the way it's shot I'm not totally sure what happened. Doofy Boyfriend grabs a princess phone and tries to call for help by dialing the operator (were people seriously still doing that in the '70s?) but of course Santa jumps his ass before he can get through to anybody and strangles him with the phone cord. Then Santa rips the guy's shirt off (?) and throws him out a second story window, which is weird, because that guy only walked up one flight of stairs from the basement a minute ago. But whatever, he's dead.

Santa grabs his axe and is on his way out the door when the annoying little girl from the previous scene shows up and starts bothering him. Ominous music plays as he slowly walks toward her. "Oh Santa Claus, I knew you'd come! Did you bring me a present?" Santa wants to know if she's been naughty or nice. She says she's been nice. Santa pulls out a bloody box cutter and holds it behind his back. "Are you SURE?" he asks. She nods. He slowly kneels down, takes the box cutter from behind his back, hands it to her, then smiles and leaves. Awesome scene.

Some local hick deputies drive around and banter boringly about how the Police Chief wants them to bring in Santa Claus on Christmas Eve and they're surprised he doesn't want them to bring in the Easter Bunny too, etc. A Wacky Hijinks scene ensues where they accidentally arrest some guy who was pretending to be Santa Claus to surprise his daughter.

Elsewhere, some nerdy Jewish kids are going sledding and making bad jokes. One of the kids looks like he'll probably be hot in a few years. Some bullies show up and hassle the nerdy kids, threatening to steal their sleds. "You know, I wanna grow up to be just like you," the nerdy-kid-who-isn't-hot says sarcastically, "Ugly, and VERY stupid!" You'll probably get your wish, kid. The bullies beat up the nerds and the nerds run away. Then the bullies sled down the hill using the sleds they just stole, and Santa jumps out and decapitates the second guy as he's nearing the bottom. "NAUGHTEEEEEE!!!!" The guy's head rolls down the hill after him. It's pretty funny.

Jason

Deputy Barney is driving around when he gets a call to go to the Orphanage to protect Mother Superior and the kids. While he's on his way, the kids are let outside to go play in dirty snow. During said playtime, a guy dressed as Santa makes his way to the Orphanage. Some kids take notice are get happy.

Barney happens to pull in and spots a Santa dude going up to the Orphanage. Since this dude didn't learn the lesson from the night before with the Dad dressed as Santa, it doesn't occur to him that this could be some OTHER guy. But I guess the State of Utah has a "Shoot first, pray to the Book of Mormon later" policy.

Seriously, look at this! Was this filmed in Spring?!

So Barney jumps out of his truck and yells "HEY! STOP!" but the Santa keeps on approaching the kids. Barney does what any of us would do, and shoot down Santa right in front of a bunch of orphaned kids. On Christmas Day. Yeah, you can just hear his acceptance speech for a Medal of Honor.

A quick scene with Sister Margaret and Detective Guy driving to the orphanage reveals that the Santa Barney shot down ISN'T BILLY! WHA??? Turns out it was a 50-year-old Priest. Who's deaf. Good job, Barney. Somehow, he still has a badge after that and goes inside the Orphanage and exchanges words with Mother Superior, where she says "no harm must come to the children". Unless she's the one doing harm to them.

Barney decides to pretend he's still a cop and roams around outside. He finds a doorway to some weird basement that I'm sure Mother Superior uses as a torture chamber and looks around there. This scene is only here to build suspense. You know the cop is dead cause he just killed a fuckin' deaf priest.

Sure enough, as he makes his way up, Billy arrives and yells "NAUGHTY!" and plunges an ax into Barney's chest. With Barney dead, Billy is free to go kill Mother Superior. But for some reason, Billy takes out the snowman out front. Maybe he thought it held the soul of Michael Keaton.

Inside the Orphanage, Mother Superior is making the kids sing while whipping them (not really but would've been funny) when one little kid notices that Billy Claus is outside. Not knowing any better, or thinking anything about the first Santa being shot down in cold blood, the kid opens the door for Billy, letting him in.

The other kids also don't think anything of the first Santa and are happy to see him. Maybe they thought he was a stunt Santa or something. Mother Superior decides to scar these LITTLE kids some more by saying over and over "There IS no Santa Claus!"

Billy is about to plunge the ax right into Mother Superior's face, while she prays for a Christmas miracle and boy howdy does she get one cause the Detective Dude is suddenly there and he shoots Billy multiple times. So to recap, these kids are not only orphans, and get tormented on a daily basis by Mother Superior, but they just watched TWO random dudes shoot TWO guys dressed as Santa. I think these kids are gonna be even more fucked up than Billy was.

Billy falls down and before he dies he tells the kids that Santa is now gone. Well, THAT helps and he dies. The camera pans to the ax, which is now laying right in front of Ricky, who looks down, then looks up and simply mutters the word "naughty". This shot was created to set up the sequel. And that brings us to the end. Go grab your kids so I can shoot this Santa in the head.

Final Thoughts:

Adam
Silent Night Deadly Night is a solid horror movie. It isn't great, but it's never dull and it's short enough that I could follow it while drinking heavily. It gets extra points for having a scene in a toy store with close-ups of vintage Star Wars toys. Also, for a movie less than 90 minutes, there are a surprising number of tits. Nothing says "Christmas" like murderous Santas and 6 titties.

Maria
If I was Billy instead of becoming evil Santa and punishing people I would go crazy and start killing other Santas. Isn't Santa the bad guy here? Or is it deeper than that? Billy snaps when seeing bare chested woman and starts killing people like the evil Santa who killed his bare chested mother. If these woman were wearing bras then they wouldn't have been killed. Billy snaps when he sees boobs! This is one big giant pro-bra commercial. Not that I mind really, but ladies, wear a bra or Santa will kill you!

Rachael
Three stars. I thought it was a great combination of hideous acting and ridiculous plot. I was going to give it 2 stars, but it's the holiday season. Have an extra star on me!


Jason
Even though I knew about half of what happened in this movie just by watching the sequel, I still quite liked it. The only thing it was missing was the guy that plays Ricky in Part 2. If he was in this one as Billy, it would've been the greatest movie ever. I want the guy that plays Ricky to be in EVERY movie. But I'm getting ahead of myself.
I can definitely see where all the negative comments come from, it is a fucked up movie. Then again, horror movies aren't made for kids, but I'm not gonna get into that discussion right now. This is a decent horror movie and it's got a shitload of tits, like Adam said. Can't really go wrong with that.

Mass Invasion: Santa Claus



What's up? Welcome to our third ever "Mass Invasion": The Christmas Edition! This time me and my friends will be tackling the 1959 Mexican kids movie "Santa Claus". And let me tell you it's a weird one.

As I like to do when I come across a wonderfully unique movie such as this, I do some research and this is what I have learned about this movie.
-It's being presented to us in English form thanks to one K. Gordon Murray, an American producer who, I think, one day went to Mexico, found a bunch of public domain movies, bought them, and sold them to US Film distributors. That last part is my theory, since the wikipedia about the man himself is kinda bare.
-Mr. Murray is the narrator, which I didn't know until I wrote my part of the review. Still doesn't explain why he yelled so much during my part.
-This movie exists to explain to Mexican kids who Santa Claus is because they have their own version of Christmas down there that doesn't involve a fat dude in a red suit and a long white beard. I can't imagine being a little Mexican kid watching this movie and being like "Oh, so this is Santa? And THIS is what he does? I'll stick to my traditions, thank you very much."

And last but not least. I can't speak for the other people who wrote this review, but my first introduction to this movie was the Mystery Science Theater 3000 episode in their 5th season. It's one of my favorite episodes and I watch that, along with the OTHER Christmas episode, "Santa Claus Conquers The Martians", every year on Christmas Eve, or at least on Christmas Eve Eve.

There's not much else to say I don't think, so let me introduce you to who will be reviewing chunks of this review.
April is doing the first chapter.
Maria is doing Chapter 2.
Adam is doing Chapter 3.
Rachael is doing Chapter 4.
And we have a new comer! Her name is Felicia and she will be doing Chapter 5. I dunno how she got this part honestly, she must be engaged to the webmaster or something.
And finally I will be doing the final chapter.

And before we start, I'd like to thank CheesyFlix.com for providing us this movie. And a-way we go!

***
April

We begin our story with some lovely opening credits, highlighted with pretty poinsettias, which, of course, are the Christmas symbol of Mexico. Has anyone ever seen a poinsettia outside of the winter months? Keeping one alive past February is just about as difficult as watching this film.

The actual film begins with a glimpse of the floating heavenly castles that are the screenwriter's view of what the North Pole looks like and we soon catch Santa adjusting the wings and arms of a toy angel that looks suspiciously like Susan B. Anthony. The interior of Santa's floating castle workshop and home looks like sort of a starkly decorated cross between a Moorish Moroccan summer palace and a relatively upscale Mexican restaurant. I liked it, but I'd find it really difficult to get furniture to look good in a place like that. Anyway...

Santa starts playing a large pipe organ and children from all areas of the world begin singing and sort of dancing. Africa is represented here as only one country, since it's just beyond 1950s North Americans to recognize that different areas of Africa have very different attributes. The children that represent the "country" of Africa here are dressed as extras from the last Flintstones movie, with cute little bones in their hair, banging on drums. Stereotypical doesn't even begin to describe this. Anyway, Santa plays on and other countries are represented. The filmmakers wanted to make sure to represent all the countries that were involved in WWII and the Cold War, to make them seem like they were "okay" at the time and Santa didn't recognize creed or race, just good boys and girls. "Even Russia is represented here," says the narrator. Godless Commies have hearts, after all, I suppose.

Brian Auger, this guy is NOT, man! The horrible organ playing and seriously off-key singing of the children goes on and on, and I'm wondering if Santa's playing each country's little ditty is where the writers of the movie "Strange Brew" got the inspiration for the scenes where Max Von Sydow played the organ to make the mental patients at the Elsinore "looney bin" act certain ways. In the vignette where South America is represented, some poor kid has to wear a $.99 fruit basket (probably rotting) on her head, and Santa gets DOWN with his bad-ass self! The filmmakers make damn sure to have a separate scene for "Central America" and "Mexico," presumably to let people who weren't geography majors know that Guatemala is NOT part of Mexico once and for all!

After all that singing and lifeless motion, Ray Manzarek's talentless jolly old Uncle Nicholas gets down off the Fun Machine and some of the children walk up to him with a doll they don't recognize, in the form of a devilish demon. For some reason, one of the children is conveniently carrying a lit sparkler, like playing with fire is something children don't have to be careful with if they live at Santa's Floating Castle.

The child gets the bright idea to ignite the demon doll's tail with the sparkler. Darn meddling kids! And we cut immediately to a fiery underground lair where a REAL demon is awakened. After dancing and prancing around awhile, the demon is summoned by Ol' Captain Howdy himself and told he MUST defeat Santa Claus or he will be encapsulated in ice forever. No more bungling, you! The demon protests, letting Lou Siffer (and the viewer) know that he must have heat to keep his skin soft and supple and to live the life he has come to know. Sounds like a Florida Snowbird, if you ask me.




Again, another immediate cut. No clever segue-ways or soft fades in THIS film, kiddies, so you'd better Cowboy Up! We're now transported to some weird cross between a Mexican city street scene and our beloved Jason's hometown of Hammond, Indiana, where "A Christmas Story" was filmed. Young children and their parents with their noses pressed to a toy-filled shop window with a life-sized robotic St. Nick laughing in the background. The narrator points out that one of the young boys is a good boy, whose parents are wealthy. Then a very young girl, named Lupita, is a very good little girl, but that her mother is very poor. The look on the mother's face is one of worry and guilt when the narrator mentions that all Lupita wants in the whole world is just a little dolly. Any little dolly. Adorable little girl. I can tell she's gonna have a bad time somewhere in the script.



Then three boys who look maybe ten or eleven years old push and pinch their way through the crowd to get a look at all the toys in the shop window. Suddenly, our friend the demon notices these little boys and talks to them right there next to the window. I guess since everyone else at the shop is so good, they don't notice that a half-naked horned lipstick-red demon is chatting away with some little kids. Some rocks magically appear before the naughty boys and they're apparently influenced by the demon to throw the rocks through the shop window. One of the rocks hits the robotic Santa behind the toys, and the REAL Santa in his Cloud City-esque castle FEELS it and gets momentarily upset. Like NO other logical adult in the world would do, Santa asks some of his kiddie co-workers about the GOOD boys and girls at the scene of the crime. He doesn't give a rat's ass about the rotten boys who threw the rocks, explaining that they'll get theirs in time, but wants to know the names of the nice kids. I'm betting somewhere near the end of this film, Lupita gets her dolly. Just a hunch.

Maria

High above the earth in Santa Co. headquarters Santa and his employees are gathered around spying on all the children of the world. Santa’s second in command is Pedro, an adorable, 5 year old Mexican boy. Santa’s magic observatory is filled with many magical instruments like the Ear-o-scope, the Tellatalker that knows everything and the Cosmic Telescope. Santa uses these things to find out who’s been naughty or nice.




Pedro commands the instruments to find the children that Old Pitch has been bothering. “By thy magic powers,” he says, “look for the child that we are seeking. Whether she is in a cave or behind a million mountains.” Then a giant mouth on the wall that is not at all terrifying says, “All ready!” in a voice that isn’t at all evil. Then a portal opens and a giant eyeball on a tube pops out and starts looking around. Santa looks through his telescope and we see that his workshop is really, really high above the Earth. Like 10 million miles above the Earth.

After more and more zooming we finally come across poor, mind-numbingly adorable Lupita, who is so cute that I want to cry. She is in a crowded street market in Mexico. She’s watching a puppet show and the puppets don’t know whether or not they like each other or hate each other. They kiss each other and then slap each other and all the little children find it hilarious and even tiny Lupita is smiling a little. As Lupita and her mother are leaving, Lupita takes a doll from a table and put it in her jacket. The narrator is horrified and says, “Oh no! Lupita isn’t going to steal the doll, is she?! No, don‘t steal, Lupita! Put it back!” And then Old Pitch pops up next to Lupita and says, “Go ahead and take the doll! No one saw you!” But the narrator tells her stealing is bad and she listens to him and puts the doll back. Then Pitch bothers poor Lupita again, telling her how she’ll never get a doll is she doesn‘t steal one. So the narrator tells her, “That’s not true, Lupita! If you are good somehow you’ll be rewarded.” Because that’s how things really work in the real world. And then we see Lupita crying as she’s looking at the doll she almost stole. And I’m crying too.

Santa is very happy that Lupita didn’t steal the dolly. “Hooray for her!” he cries. “All my friends can ignore the devil!”

Next, Pedro zooms in on the little rich boy while he is sleeping. They realize he is dreaming so they use a goofy machine that looks like an electric fan with an ear on it to see the little boy’s dream.

In his dream the little boy comes downstairs to see two giant presents under the tree. He opens them and inside are his mother and father. They smile and hug him and kiss him. The children who work for Santa are confused by the dream. “He’s rich! He can have anything he wants!” they say. “The only thing he wants is the love of his parents.” Santa says.

Then they zoom back in on poor Lupita as she sleeps. Lupita’s family lives in a house with one room and one bed. Lupita is sleeping soundly and Pitch pops up and blows on her. I supposed this makes her dream evil things. The narrator yells at Pitch. “Why won’t you leave Lupita alone?!”

In Lupita’s dream she is standing in a room filled with mist and she‘s holding a doll. Giant boxes are lined up around her. Lupita is singing about the dolly that she has. “I have a dolly that’s all dressed in blue…” Lupita turns around and all the boxes open and inside them are adult sized dolls all dress in blue. She seems very surprised at this, like they forgot to tell the actress what was going to happen. The dolls all have two faces. A happy one on the front and a sad one on the back of their heads. Then the dolls start dancing around Lupita and she looks like she doesn’t know what’s going on and that she’s going to run away. The dolls aren’t very good dancers but they’re still better than the dancers from the dream sequence in TISCWSLABMUZ. They dance around and around and Lupita is shocked and terrified. When they are finally done twirling they start telling Lupita that she should steal dolls and she’ll never get one if she doesn’t steal. Lupita says, “No, stealing is bad and I want to be good!” The dolls keep trying to convince her to steal but Lupita knows what’s right.




Santa Claus is getting pretty angry at Pitch and promises that Pitch will get what’s coming to him.

Next they look for the three bad boys. The boys are hiding under a bed and Santa uses his ear-on-a-fan to find out what they are saying. The evil mouth on the wall starts talking with the bad boys’ voices. “We’re gonna break windows! We’re gonna steal toys!” There’s one almost smart boy who says, “If we we’re good we’d get toys too!” The other boys says, “It’s no fun to be good!” And then they stupidly start bad mouthing Santa. “Santa can’t see anymore. He’s too old! Santa is stupid! Let’s write him a letter telling him we were good! That’ll fool him!” Santa is very offended by being called old and goes off on a tangent about how the devil is so much older than he is and why are they listening to the devil. The devil is the one that is old! The little bad boys are in for it now. They’ve been bad and they’ve pissed off Santa.

Adam

Back on earth, the post office is getting tons of letters addressed to Santa Claus. How very Miracle on 34th Street! But instead of proving his existence in court, they send the letters up the chimney to Santa’s mosque on the moon. Santa opens the mail chute and gets knocked down in an avalanche of mail. He, of course, laughs about this (much like he does when ANYTHING happens).

Since he just got hundreds of letters, he decides to put a huge dent in this mountainous task and reads four of them. He decrees that some woman will be impregnated because her kid wants a baby sibling. How’s he going to pull that off? If only he had some sort of drug to knock people unconscious. Also, is he really getting that one kid an atomic laboratory and a machine gun? Santa is worse than Pakistan! He’s supporting terrorism! And seriously, his palace looks a little Islamic. I’m getting concerned. Maybe the next scene will put my mind at ease…

Nope! He gives his workforce of children from mostly 3rd world countries a motivational speech (preparing them for the jihad, no doubt). Then he goes to visit Chemical Ali, er, I mean Merlin. Merlin is concocting a drug to knock people unconscious. Merlin also gives Santa a flower that makes him invisible so nobody will see Santa when he detonates his explosive vest in a crowded mall. Also, the crescent moon and star on Merlin’s hat look very Ramadan.

Santa then goes to his blacksmith, who has forged a key that can open any door on the planet. Let’s get this straight. He can knock you unconscious, become invisible and break into any place on earth? Creepy. Santa then decided to get off his fat-rapist-jihadist ass and exercise so he can fit down chimneys. Mind you, he did just get a key that will open every door on the planet.

The 3rd world child workforce then polishes the creepy mechanical vampire reindeer (they must be vampires if they turn to dust in the sunlight). Then the children fill Santa’s sack with the fruit of their backbreaking labor, Santa winds the creepy reindeer, they come to "life" and he’s ready to go. He’ll probably fly his sleigh into a skyscraper in New York.




Rachael

Santa thinks it is hilarious to give beasts of burden large doses of ecstasy. And judging by the way the reindeer are laughing, so do the reindeer. Everyone laughs at ecstasy. Except the little boy in the poncho. I had a poncho when I was a kid. And I was a sullen kid. There might be a connection there between wearing a poncho and being depressed.

Santa and his four reindeer nearly run into the moon. What happened to the other reindeer? I'm guessing by the way Santa drives, they died in a previous moon collision.

Little rich boy watches his parents leave for the evening. If ever there was a junior serial killer in the making, it's this kid. He has visions of poisoned sugar plums dancing in his twisted little head, I'm sure.



Cut to 3 little beastly children planning to kidnap Santa. Well, I'm never going to Mexico. Junior sociopaths in the making all over the place. I can only imagine what they do to tourists.

I'm calling the next little girl "Poopita." Poor Poopita. No money. And jailed behind bars in her own home. Which is actually a smart move by her parents, what with all the potential murderous children running around. But Poopita wants to give baby Jesus a dolly. And that makes her sweet. Or confused about when Jesus was born. Or about his gender. Something tells me Jesus would have preferred something cool made by Tonka.

And Santa's first stop is Mexico City. There's no smog or gunfire. Which confuses me. But also confusing is Santa's failure to understand international datelines and times. Shouldn't he have started in Asia? Anyway, he's practically the third character in a Cheech and Chong movie at this point, so I'm just going to go with it.

Satan's waiting in Mexico. I've always wanted to type that.

There's a messy scene with Satan moving a chimney, Santa smelling sulphur (which I suspect he likes very much -- as I like the smell of magic markers), then the use of multiple magic items. Magic parasol. Magic key. Magic powders. The magic powders are used to knock out some nosy kids. Santa really needs to find the center of his being and make sure he's worthy of all this magic. And he needs to watch his back -- there's something about these Mexican kids that I just don't think is right.

Santa had too much Taco Bell!

The next scene is very confusing. Satan puts the chimney back. Which is a fairly nice thing to do -- like clearing your dishes after a meal. Santa, however, blows ash all over Satan and laughs. Sociopath. He's been in Mexico too long already.

Satan starts mincing around the house. Not the most sinister of creatures. I personally fear the curly-haired rich kid more than this incarnation of the devil.

Let's talk about the "Hot Keyhole." If ever there was a perfect substitute for a Dirty Sanchez or a Rusty Trombone, it is the Hot Keyhole. Satan heats up the doorknob to burn Santa's hand. But come on! Hot Keyhole? There has to be some kind of sexual perversion to go with a name like that. I'll leave that to someone else.

Santa shoots a dart in the ass of Satan (aha! That's a Hot Keyhole!) and laughs about it. Must be time-released ecstasy he's taking. If he can keep up this attitude and he's still only in Mexico, he's got some goooooood stuff.

Poor little rich boy wanders down the stairs and looks with psychopathic lust at his Edward Munch-inspired Christmas tree. I think there is killing on his mind. The narrator tells us he longs for the company of his mother and father. Let me just say to this kid, snap out of it! Loving your parents is one thing. Wanting to hang out with them is another. I dated a guy who spent way too much time with his parents. It wasn't healthy. Move on, little rich kid. Grow a pair and cut the strings.

Felicia

First of all, there is a reason why I don’t watch movies made before the 80’s, and a reason why I stay away from kids movies. There are craptastic special effects and cornball simplistic writing. However, I don’t have a reason why I subjected myself to the torture that is this movie that combines both of the elements inherent in my definition of a bad movie.
Now that that’s outta the way, on to the movie review.

I dunno who thought it was a good idea to make Santa Claus (for laziness’ sake, let’s call him SC from now on) into God. Lazy parents who didn’t feel like explaining the difference between a SC Christmas and a Jesus Christmas to their kids probably. Maybe they figured the movie would imply to kids that God goes on vacation during the holidays and asks SC to take over Heaven….housesit, if you will. While God is out getting his groove on, Lucifer and his minions need to have someone to torment so, SC is next in line.

I wonder if this movie depicts the Mexican version of the SC tale. Here in the U.S., SC lives at the North Pole and his reindeer aren’t made of powder. Now that I think about it, I'm starting to believe that’s probably the case. Mexicans, like most Hispanics, have a highly Catholic culture. They had to incorporate some religion into the SC fable with him battling demons, just so their kids won't be totally confused about which Christmas is the true one like little American kids are.

First I gotta mention the main little girl in the movie, Lupita. She is so freakin’ adorable. She shoulda kept that dolly she attempted to steal. That was too cute, a 4-year-old shoplifter.

A’ight, so the chapter I’m supposed to review is the most boring in my opinion. It opens up with the kid with the freakishly large cauliflower head being left home alone while his parents are out boozing’ it up. SC comes and drugs the kid with his sleeping powder. Does this kid even have a name? Anyway, SC finds out his innermost thoughts about missing the love of his parents. SC then plays waiter at the party where the big-headed kid’s parents are. He slips the parents a mickey and gets them to feel guilty and go home and reunite with their son in a bevy of hugs.

Next, the movie focuses in on those 3 bad ass little boys plotting to steal toys from SC. Mexicans who steal? Nah, that’s not perpetuating a stereotype, not at all. (I’m a liar). They’re aided by that gay, dancing devil Titch, or Pitch, or Bitch, or whatever his name is. After the boys’ plan goes up in smoke, Bitch turns them against each other for messing up and decides to take down SC on his own. He plans to sabotage SC by getting rid of his secret weapons, the sleeping powder and the Flower of Disappearance. Bitch sneakily cuts open SC’s pouch of sleepyglitterflakes so they and the flower fall out leaving SC unknowingly helpless if he is discovered by mortals. That was surprising not a bad plan.

SC hits up the next hacienda on his route to deliver goods, but Bitch sics the family dog on him. SC goes to use his secret weapons on the dog but realizes he’s shit outta luck because his pouch is empty. So what does he do? Runs up a tree. Ugh. I thought SC was supposed to be God in this story. Can’t he zap the dog and make it die or some other neat-o Godly tricks? So there he is, the most powerful man in the world, right now scared of a friggin’ dog. Bitch is laughing his ass off at him, as well he should. His plan is to wake up everyone so they’ll see SC trapped in a tree since he can’t invissy himself or drug people. Then I guess if people see ol’ SC, he can’t get back to Heaven before sunrise and his reindeer turn to dust or ashes like vampires in sunlight. And if he cant get back and is stranded on earth, SC will starve to death because I guess people here don’t know how to cook ambrosia, the nectar of the gods.

That’s where my accounts of this horrid tale end.

Jason

I wanna point out something before I write my part. Why the hell is the narrator suddenly SCREAMING EVERY FUCKIN' THING??? It's kinda like someone didn't give him the script until it was time for him to record his narration and he got wayyyy into the story and is all excited about Santa being spotted by humans, or whatever. And finally, why the hell does Pitch keep calling the dog "Daddy"?

Ok, so Santa is stuck up in a tree and some rabid dog is barking his ass off at him. Pitch appears inside the house of a Mexican family. Since they can't really hear him, he talks to them through their dreams. If I told people that Satan talks to me through my dreams, I'd be locked up.

Pitch tells the entire family, one by one, that there is some sort of assassin waiting outside in the tree. An assassin? Who is this family, the King and Queen of Mexico? The family wakes up and the father of the family is a coward and keeps insisting he's too sick to see if his satanic thoughts are true or not.

Pitch then breaks into some old guy's room and has him call the fire department making them think there's a fire, so more people can come and see Santa perform his nightly Vegas routine in this tree. Since the fire dude who answered the phone didn't believe the old guy, Pitch blows into the phone and a big flame shoots out of the other end. This makes the fire guy believe. Oh and I swear the voice of the fire guy is the same voice as the easily excitable narrator.

Meanwhile, Santa's in his tree, calling Merlin for help. He's not gonna help your ass, Santa, you only talk to him once a year. I'd be a little bitter and hope you rot in that tree. But that's just me. We then go to Lupita and AWWW!! she is so fuckin' adorable. Anyway, Lupita is sleeping and Pitch is still giving her the same bullshit about Santa doesn't love her and she'll never get a dolly and that the Cubs will win the World Series.

Lupita wakes up and bugs her mama some more about Santa not coming. Mama wants to tell her there really is no Santa and they're broke as hell so there won't be a Christmas this year. I dunno, this is Mexico. Couldn't Mama just become a prostitute? Then they'll have the best Christmas ever!

We get an annoying scene where Pedro hears Santa's plea and rushes to get Merlin, but he walks roughly 1 mile per hour so Santa might as well enjoy his new home: the tree. There's another pointless scene where Pitch whispers into the ears of the now awaken family members and tells them they should kill Santa. What a lovely thought for a kid's movie, huh?

Oh and the narrator is still SCREAMING HIS ASS OFF!!

Pitch taunts Santa some more, reminding him (and us) that his reindeer will turn to powder and Santa being the picky eater that he is will starve to death and then Satan will rule the Earth!

Wait. The ONLY thing stopping Satan from taking over the world is Santa Claus? Really? That's...wow. Ok. Well, guess I should switch my religious belief to Clausology.

Merlin finally gets his happy ass to the giant oral sex toy, er, whatever the hell that thing really is, and talks to Santa, reminding him YET AGAIN what'll happen if he doesn't hurry the hell up. Santa is like "I called YOU to get me out of this, you moron! This is why I only talk to you once a year! JESUS!"

Merlin does some thinking and he finally realizes that Santa could use a toy cat to distract the dog. Santa finds one oddly enough in his sack and even more oddly enough, this works. The police and fire department and for some reason "First Aid" (Sheesh, First Aid comes at the slightest thing in Mexico yet we get a giant ass flood or hurricane and we gotta sit for 3 weeks on our roof) come to the scene and the narrator won't shut the fuck up about them spotting Santa. He's gone in time and Pitch gets blasted with the giant water hose and possibly dies or something, cause this is the last we see of him.

Santa is sneaking off and Merlin begs him to return but Santa has to make one more stop. Which stop does he have to make? Do I really have to remind you?

At Lupita's, her mom is sleeping in the chair and her dad just returned home, saying he couldn't find a job. Well, DUH! It's the middle of the night, what do you expect? I doubt Mexico has many 24-hour establishments. And if they did, he could easily get a job as a bus boy at Denny's. So everyone is all depressed and they're about to kill themselves when Lupita wakes up and is like "YAY! Santa came and gave me my dolly!"

Before her parents can tell her the awful truth, Lupita walks outside and lo and behold there is a dolly. And it's a big mothafucker too. The parents are like "....wha??" and...God damn it movie...don't make me cry...*sniff sniff*

Ok. I'm back. Lupita thanks Santa and he rides off back into outer space where he lives apparently and the Narrator, who has calmed down now, reminds us that Christmas is REALLY about Jesus and God and stuff and Merry Christmas!

Final Thoughts:

April
This has been the second best film Jason has ever made me watch, and that's really saying something.

Maria
Santa Claus is a better Christmas movie than 95% of Christmas movies. It goes A Christmas Story, It’s a Wonderful Life,and then Santa Claus. Sit back, relax, grab yourself some Rumple Minze, watch Santa Claus and have a Merry Christmas.

Adam
In all seriousness, I love K. Gordon Murray’s Santa Claus. Sure, it’s freakishly weird in an overly-Catholic sort of way. And it’s unbelievably cheap, even for a Mexican children’s movie. It has the obligatory Cold War paranoia of movies from the time. It’s more than a little surreal with it’s Pee Wee’s Playhouse gadgetry. And Santa’s spy tactics would make the ACLU forget all about the current administration. But somehow, all the bizarre crap works. Why? Because this movie, for all it’s shittiness, feels how a Christmas movie should feel. It’s probably due to the cheap Christmas music being incessantly looped in the background. But whatever the reason, it delivers everything but the kitchen sink in a Christmas cornucopia of cheap thrills and bite-sized morality. As Christmas movies go, this one is an underappreciated gem that should be right up there in the pantheon of Christmas movies like A Christmas Story and It’s A Wonderful Life. I watch this movie every Christmas Eve. I’m usually very drunk when I watch it.

On a somewhat related note, once I was at a party with Jason and I was trying to flirt with this hot Polish chick with big tits and nice legs. Jason, drunk off his ass, kept screwing up my chances by interrupting my advances because he had to tell me something about K. Gordon Murray. Only he kept saying Gay-Kordon Murphy or some slurred variation thereof. His drunken antics ruined my chances to mack on a hot chick. It’s my fault because I kept making him do shots of whiskey (I was the designated driver and didn’t feel like driving a relatively sober person home). But man, did she have a sweet rack on her. And a great personality and all that incidental stuff, too.

Rachael
I give this movie 2 stars. One for the movie itself. One for making me wish I was Jewish.


Felicia
Well, hm... This is hard to rate. No doubt it's a corny-ass movie. But since it's aimed at kids and kids are inherently corny and simple-minded, I can't judge the film too harshly. I do applaud the writer or whoever takes ownership of this garbage for adding some amount of "evil" (by way of the demons) to the overly saccharine tale of Santa Claus.


Jason
You know, I never did think this was a bad little movie. Maybe it just needs some love.
I kinda enjoyed this movie, despite it's weirdness. And none of it makes sense if you look back and try to connect all the scenes together, like how Santa's flower makes him invisible but when he's on Earth he's transported or whatever. And let's not even get into the child labor laws he's no doubtly breaking. I guess that's the advantage of living in outer space, the laws don't apply to you. So suck on that, Earthlings!


Battlefield Earth


So here we are. The 4th Mass Invasion and boy howdy is it ever a doozy. "Battlefield Earth" is infamous for many, many things, which I'll get into, but first I must explain why I chose to do this movie at this point in time.

In case you're not aware, there's a slight Internet war going on between the Church of Scientology and a group calling themselves Anonymous. It's a bit unclear how it all started but if you're that interested, you can read the ENTIRE thing here. You might wanna save that for another day cause you'll literally be there for hours reading that.

Anyway, this group has taken their protests out to the streets and they organized a world wide protest at every "Church" in the world. During this I was surprised to learn there was one in Chicago AND one in Indianapolis. Then again, Midwesterners are often grouped with hillbillies, who see their fair share of UFO sightings, so it shouldn't be surprising that they'd wanna worship a religion based on aliens.

So this review is more or less my tribute to the whole "war" going on. I try not to take sides on such things, but here I have to kinda agree that this "church" is really just a cult and they've done some bad things in the past, on top of which they like to sue the pants off of anyone who speaks ill of them. So I took the precaution of getting a pretty good lawyer. Try to sue me now, Tom Cruise! TRY IT!!

Ok so with that said, let's briefly get into why this movie exists. "Battlefield Earth" is based on a novel by the one and only L. Ron Hubbard, who started his career as a science fiction writer. He later realized he'd get much richer if he started a cult/religion. It's a shame Kurt Vonnegut died, I would've loved to have read a story where Kilgore Trout decides to do the same thing.

Since John Travolta, the star and PRODUCER of this epic fail, is a Scientologist, he read the novel and decided "Hey! This would make a kickass movie!" And he tried to get the movie made...back when it was first published in the 80's. Finally around 1999, he got the go ahead from some rinky-dink movie studio, which is why Travolta is the producer, cause he had to front the money himself for this. Kinda makes you feel sorry for him now, don't it?

Anyway, the movie was made and the rest is history. Everybody and their mothers hated the movie and did so badly that Ed Wood is in heaven (or wherever) shaking his head, going "Damn, that's a shame". I'll talk more about this failure during my chunk of the review.

My introduction to this movie was thanks to Rifftrax. When I decided to go ahead and start buying the Trax, this was the first one, cause of the things I heard about the movie, that I just had to hear what Mike, Kevin, and Bill had to say about this. And if you haven't done so yet, you totally should get the Trax, it's great and makes the movie a tad bit bearable.

And finally, it seemed like at first this review was cursed. SOOO many things went wrong. To just name a few, anytime I attempted to watch this movie I had to pause it and run to the bathroom. That was the most polite way I could put that. To put it non-politely, this movie gave me the shits. Badly. Then Maria got sick with something unidentifiable and is currently locked away in some hospital while doctors poke and prod her, trying to find a cure. And last but certainly not least, Rachael was suppose to write a part of the review. But anytime she watched the movie, she just stood around shrieking for no reason and literally went bat shit insane. This fucking movie is like the videotape in "The Ring" (Or "Ringu" for you super ultra horror movie geeks), it ruins the lives of anybody who's unfortunate enough to watch it. Rachael, poor soul, sent this last email to me and this is real:

"My review of this section of Battlefield Earth is not like my usual reviews. I am watching an unauthorized copy of the film, so I'm a little unsure of whether my segment is even the right one to review. But what I have learned from this film is: It doesn't matter.

I could describe the action in the film and discuss the problems, but I'm not going to. I'm simply going to say that this film broke me. Without exaggeration, it took me seven tries to watch this film. And I still can't tell you what it's about. Never before has a film driven me to come so close to stabbing myself in the eyes and ears.

All I can say is that John Travolta and Forest Whitaker should be ashamed.

The voices, the costumes, the weird plot. It's all lost on me. And I consider myself a fairly bright person. But I can't follow along. I'm embarrassed to say that I could barely watch the screen during this movie and didn't even finish it. It was that bad.

My eyes rolled around in my head. My head lolled around on my neck. I stared at the ceiling. I saw some space creatures. I made a sandwich.

Apologies to those who are looking for an in-depth review of this segment. I can't do it. I have reached my limit with Battlefield Earth. This, in my opinion, is the most unwatchable film ever made."

After this email got to me, I haven't heard from Rachael since. I hope she's doing ok. But now I have a personal vendetta against Scientology. You hear me, Scientology?? You ruined the mental health of one of my friends! This time! It's personal!!!

Anyway.

Ok, let's get on with it. We got one new face in the group, so be nice to her, ok? Most of these people you should be famliar with, so no big major introduction needs to be made here, but I will tell you the order of writers:
April, but I threw some things in there as well so it's a collaboration of sorts.
Felicia
Devon
Adam
Maria
And finally, Me by myself.

I would do the typical corny thing and throw in some jokes about Scientology like get your thetan levels ready for this "dianetic" review, but I could already feel the beatings I would've received for doing such a thing. Let's just go to April to kick things off, shall we?

***
April & Jason

***DISCLAIMER*** With my view of Scientology (indeed, with organized religion in general) being what it is, I will refrain from any personal views interfering with the storyline of the movie, lest I offend anyone. I found this story to be one of the most sexist and small minded I have seen or heard in many years, coming from a person who was supposed to have promoted equality in everything. With that......

3000 A.D. - Earth has been ruled for 1000 years by the inhabitants of the distant planet Psychlo. Minerals, especially gold, are mined by enslaved humans and teleported back to Psychlo. The human race must fight to stay alive if it is to continue.

Our story begins in a remote village somewhere in the central US Rocky Mountains where a tribal elder warns Chrissy she may want to think about finding a new husband because hers may not return to the village. Even though the old man of the village closes the door, her husband, none other than Jonnie Goodboy Tyler, the story's main character, appears. Chrissy tells Johnny that his father has died. So naturally he pumps his fist in the air and goes "YAAAAAAH!!!!!" I guess he's glad the miserable old bastard had finally died.

Later, Johnnie explains to Chrissy that he must go on a quest to find if the "Demons" that enslave the humans really do exist. This comes after a goofy ass scene with Johnny running around a cave going "OHHH!!! AHHH!!!! WATCH OUT NOW!!!" and basically acting like a douchebag to everyone. They were all probably glad to see him leave. Hell, they probably packed his bags for him that night. Anyway. Chrissy gives him a special amulet for good luck, explaining it was given to her by his mother (presumably at their wedding) to be passed on to their children someday. This makes it seem like this is going to be important later on, but I'll just ruin it for you now and tell you it doesn't.

There is an explanatory scene where the tribal elder talks about why and how the planet came to be conquered and the humans enslaved. In the late 20th century the humans became more and more greedy, taking Earth's bounty for granted and becoming disrespectful of Nature and each other, forgetting about what was right. The Psychlos came to see that Earth's inhabitants were at their weakest and forced what humans they didn't kill off into servitude for purposes of mining Earth's minerals. They were not allowed to be educated any longer and what traditions did manage to survive were convoluted with myth and legend as stories tend to be when passed down generation to generation. One of the main legends was a prophecy that stated the only reason humans who didn't get enslaved still exist is to please the Gods so they may free the slaves and drive away the "Demons".

As Johnny leaves on his quest he encounters the most horrible thing known to mankind: a miniature golf course. Seriously, have you ever gotten a ball past that damn windmill? Miniature golf courses were created by sadists I tell you! Johnny stumbles upon some plastic dinosaur thing, which looks a bit like Dino from "The Flintstones" so maybe this was a Flintstones themed golf course? And you gotta get the ball into Fred's mouth at the end, in which he'll yell out "YABBA DABBA DOO!!!" Ohh fun times.

Oh right, back to this shitfest. Eventually Johnnie comes across two men from another "tribe" who lead him to an abandoned shopping mall and speak of the Gods as they were before the conquest. What they are really speaking of are convoluted stories of humans from pre-2000 formed into myths. One of the men teases Jonnie about leaving a "perfectly good woman at home" and as Jonnie lunges to hurt the man they are all cornered by one of the "Demons", a Psychlo guard.

Oh I did wanna point out that it looks like the Psychlos attacked Earth during the Christmas season, cause there's Christmas decorations up in this mall. That really sucks cause I was totally looking forward to FINALLY getting an X-Box 360! Now thanks to these alien buttheads I won't ever get to play Call of Duty 4! You rat bastards!!!!

The one dude, who looks like he should be in a Nickleback cover band, is shot and that just leaves the big dude named Rock (Sifl and Olly! The Sifl and Olly Show!), who makes a run for it. There are several artsy shots of this "demon" moving in slow motion and its all in the dark. Rock for whatever reason thinks it's a good idea to jump from the third floor down to the first. Little does he know that fat people can't do stuff like this so he shatters his clavicle. (That's in the leg right?) Johnny tries to help him but Rock is like "Can you smellll what I'm cooking?!?!" which translates to "Leave me!!" But Johnny has the phrase "goodboy" in his name, he can't do that! Instead he decides to turn into The Lone Ranger and whistle for his horse. Instead of the horse going "Yeah right pal" the fuckin' horse actually SHOWS UP!!!

But ten seconds later the horse is shot by the Psychlo demon guard whatever. Johnny is like "NOOOO!!!!! ATREYU!!! NOOO!!!!!" and manages to run around this mall for another 10 minutes until he gets shot himself. As a result of Johnny getting shot, he falls through 20 panes of glass, which somehow doesn't kill him. (Foreshadowing?)

Jonnie and the one surviving man (Not Rock, he got shot after Johnny fell through the glass a thousand times) are bound and transported to a forced labor facility in what used to be Denver, Colorado. Upon arrival, Jonnie tries to escape by shooting one of his captors but is quickly recaptured by Terl, the head of security, played by John Travolta, and his assistant Ker, the hopelessly miscast Forest Whitaker. The human prisoner-slaves are put through all forms of horrible torture and the amulet is torn from Jonnie's neck and burned in a fire pit. (insert sense of foreboding here)



A commanding officer teleports to Earth, whining constantly about what a terrible place it is, with its green plants and fresh air. He decides that after Earth is completely mined out, it and all inhabitants are to be exterminated, to the delight of Terl who is miserable there and has asked for a transfer several times. However, the officer angrily informs Terl his request has not only been denied, he will probably remain there until he dies, with no hope of advancement. We find the reason for this is Terl's indiscretions with a Psychlo ruler's daughter.



In the prison, Jonnie must fight for food, and indeed, equality for everyone against one prisoner who, possibly by brute strength and bullying, has crowned himself the leader. Jonnie explains that there must be equality for all prisoners if there is any hope of an eventual escape.

Felicia

Yeah, so…. (heavy sigh)
It wasn’t until the credits ran did I find out the characters names, so in my notes, Terl is just “Trav” for Travolta, and Ker was FuzzyWhitaker, or FW for short. I’m gonna keep FW because it’s fun and it describes his look. Furry like a stuffed animal. Since Johnnie is the lead caveman-thing-human, I refer to him as Mainmanimal (“main man animal “ for those not perceptive enough).

Terl and FW have a somewhat weird relationship. They kinda seem like 2 middle school/ junior high girl “friends”. You know, where to others, or on some superficial level, they seem like buddies, but they really can’t stand each other and always try to one-up their friend due to jealousy. Did that even make sense? Anyway… total 13 year olds.

Terl is angry that FuzzWhit found an area on the map of gold ore they haven’t mined yet and didn’t tell him about it. Terl is already frustrated because he learned he would not be promoted to some position on the home planet and is stuck on Earth pretty much indefinitely. So, Terl proceeds to beat FW to release his tension with some candlestick-lookin’ item. (Terl. With the candlestick. In the conservatory…) Terl devises a plan to use this new found map knowledge to get back at the mining manager guy for condemning him to the hell that is Earth for the next eleventy-billion years. Now some back story if you didn’t get it. The mining industry of Psyclos is hemorrhaging money because they haven’t been able to find any gold ore lately, or not enough to balance the cost to pay workers and increase profits at the same time. Terl thinks that if they can teach humans (man animals) to mine, they wouldn’t need to pay them and wages. So by doing that, there wouldn’t be anything but profit for Psyclos. The manager shoots down that idea because he knew he’d be a laughing stock back on the home planet if he let lesser beings do the work of intelligent creatures. After having his idea rejected, Terl plans with FW to secretly use man animals to mine the new ore area on the map and keep the gold for themselves. Sounds like a flawless plan to me. (ha!)

Meanwhile the Mainmanimal breaks free from his chain gang and tries to make a run for it, but instead, he gets caught by a couple of Psyclos guards. They start a bet as to how long Mainmanimal can survive in whatever atmosphere they’re in before he dies. Much to their chagrin, he gets further than they thought and they have to chase after him to kill him.

Next, we see more of the bitchy friendship between Terl and FW. Terl tricks Fuzz into saying what they plan to do with the man animals and mining while secretly videotaping him. The tape would be used to make FW a scapegoat should anything go wrong with the plan and as blackmail to make sure FW sticks to it. Man, I’d hate hate hate to work with or have this guy as a friend. A true asshole is he.

As the Mainmanimal is on the run, Terl spots him on the security cameras. He figures that if he can out run and out wit the Psyclos guards, he’s a crafty enough specimen to train to mine for their greedy plan. Terl and FW catch the human, and to get him to go along with their scheme since they don’t speak English, they use some sort of torture-like tactic of bribing him with his favorite food after breaking him down. The tag team duo of Terl and FW drops the human and 2 “buddies” off on some mountain to see what they choose to eat. What they pick would be the bribery item. What Terl and FW don’t realize is there is no real food on the mountain and as a last resort, the manimals end up eating rats. So Terl believes that’s what humans like to eat. Rats. Plague-carrying rats. Ok, I exaggerated, but still ew.

The Mainmanimal finds out that the buttons on their shirts contain hidden cameras and rips them off. Terl gets pissed and hits his head on the slopey ceiling in the mining office place. Hehehe. The 3 fugitive humans are recaptured and put to work with other humans on fixing the ceiling in the office that Turd hit his head on. But Terl snatches Mainmanimal aside and shoves him in some room where a hologram program puts him through “assimilation training”. The training teaches Mainmanimal the language, history, and culture of the Psyclos a’la Clockwork Orange. The point of all this learnin’ is so Terl can communicate to the humans what is to be done as far as mining with Mainmanimal acting as the liaison. But Mainmanimal plans to flip the script on the Psyclos and use his new knowledge of the invading people to attack them and free the humans from oppression.



Devon

So we cut to the main little group of human guys sitting around in a cage that looks like it has a campfire burning somewhere off-camera. The main little frowny-face guy, his magnificent Neanderthal-like brow ridge made even more prominent by the dramatic, flickering shadows cast by the firelight, is trying to explain math to the other guys. They all look about as confused as I am whenever somebody tries to explain math to me. Frowny Guy shows them what a triangle is by drawing one on the floor with like, burnt wood or something. Some other guy says that it seems hard to understand, and Frowny Guy assures them that triangles are easy to understand. He bandies about the phrase “Euclidean geometry,” which doesn't do a lot to support his argument. Frowny Guy spews forth words like “molecular biology” and “water” and “engineering,” and “artistic composition” and “lines” in a nonsensical, Tourette's-like fashion, and it's all supposed to vaguely mean something probably. Another guy bitches that they're supposed to be learning about stuff that will help them to escape from John Travolta, and after a dramatic pause, Frowny Guy is like, “This will.” And then after another dramatic pause he adds, “All this will.”

Now all of a sudden we're someplace else, and apparently these same guys have like, broken into the office/headquarters of John Travolta and Forrest Whitaker or something? How the fuck did they get in there? Frowny Guy is reading something off a...stone tablet. Uh. And it says something in Psychlo about a security vault, and how everybody who is on the Psychlo management team has a personal identification number. A personal identification number has eight digits. How many digits? “Eight.” Like every single character in the room repeats the word “eight," because knowing how many digits are in a Psychlo's personal identification number is crucial to the viewer's understanding of the plot, unlike an explanation of how the hell these characters broke out of their cages and got into this room in the first place. Frowny Guy tries to enter some numbers into a keypad and it doesn't work, but then he tries it again and it makes a big pneumatic door open, freaking everyone else out. The door leads to a little blue room that contains some things that are probably supposed to be weapons, and a little wheel-shaped thing which F.G. instantly identifies as “a recording device.”

The Wacky 1980s Transitioning Effect of Doom that has been showing up all through this movie carries us into the next scene, where people are hanging out back at F.G.'s village. F.G.'s girlfriend sits by herself looking pensive. Some other guy stands on a cliff and blows the Horn of Gondor in slow motion. A horse runs through the middle of the village, also in slow motion. Then all of a sudden a different horse is running through the village in slow motion, and F.G.'S GIRLFRIEND IS ON IT! And she's all like, “I'm getting the fuck out of here!” and her dad comes out and is like, “NO! That's dumb!” and she's all, “FUCK YOU!” and then she leaves. In slow motion.

Back at the Psychlo pad, F.G. is strapped into the little chair getting zapped with the swirly lights of knowledge again. John Travolta looks like he should be DJing at a rave. He grabs F.G. and waves a dead rat in his face and says something evil. There is some more evil, shifty, “mwa-ha-ha” type banter between John Travolta and Forrest Whitaker about how “man-animals” are not as smart at Psychlos, and then John Travolta decides he's going to shoot and kill F.G. for not demonstrably learning how to speak Psychlo. But then F.G. opens his mouth and some stuff comes out that was distorted by a computer, and that I guess is supposed to be Psychlo. So John Travolta is like “AWESOME!” and tells F.G. to say something else. They have a little standoff where F.G. threatens John Travolta and John Travolta laughs at him, but then all of F.G.'s friends bust out from...somewhere (again, how the hell did they all get in there?) and start trying to shoot John Travolta with their stolen weapons, but the weapons don't have any ammo, so John Travolta laughs at them some more. Blah blah blah. Some half-assed reason is given for why F.G. is still in control of the situation, even though he's not, and John Travolta makes a face like he's feeling very grumpy to be wearing a giant prosthetic headpiece with a bunch of fake dreadlocks and Frankensteinesque head bolts attached to it just so he can be in a movie that is clearly 72 flavors of stupid.

The silly transitioning effect happens again, and now we're at the Denver Library, which is all dilapidated and stuff because it's post-Apocalypse and that's how everything is supposed to look. John Travolta explains that he's going to give F.G. access to even more knowledge about stuff he's not supposed to know about, because blah blah humans are dumb and none of their stinky, poopy human knowledge is good for anything and it won't help F.G. at all. Somber music plays, and then it swells as we drift into an extremely brief montage of F.G. fondling a copy of the Declaration of Independence, which I guess was coincidentally on the first page of the first book he picked up. Travolta grabs the book away from him and snaps, “SATISFIED?” and then he says, “I have one more demonstration for you and your little friend!” and they leave to go someplace else.

A Psychlo spaceship lands somewhere, and then John Travolta and F.G. and the other guys are all standing outside in a grassy area. John Travolta says a bunch of stuff about how he was the top shooter guy in his class, etc., so they better not run away or he will fuck their shit up. He demonstrates this by shooting the legs off some cows that happen to be standing like ten feet away. None of the cows try to run away, because they're stupid.



Then all of a sudden, some other guy runs out from behind the parked spaceship and head-butts John Travolta! John Travolta falls down and the guy starts beating the crap out of him, while at the same time, some other guys run out from behind the spaceship and start waving spears and yelling. The guy who head-butted John Travolta rolls off him and stands up, and F.G. points John Travolta's own weapon at him. John Travolta sits there smiling like he's zoned out on Percocet has no idea what's going on. Another guy points a spear at him and calls him a demon. Everybody starts yelling “SHOOOOOT!!!” even though they ostensibly have never seen a gun before and don't know how it works. Instead of shooting John Travolta, F.G. launches into a big speech about how he doesn't want to spend the rest of his life running away from things, and they can't just abandon all the other humans back at the Psychlo bungalow, and people didn't build “the great villages” by not fighting for their freedoms (except they actually sort of did), etc. A really old guy says, “You can-NOT defeat them!” and it echoes a bunch of times, and F.G. has a flashback to his girlfriend's bitchy father saying something about fate, and F.G. goes, “YES WE CAN!!” and everybody else is like, “YEAH! WE CAN!! WOOOO!!!” and all the savage tribal guys run away.

F.G. kisses John Travolta's ass by handing him back his weapon, and saying that he didn't shoot John Travolta because he knows that John Travolta is smarter and better than him and would have found a way to kill him first. John Travolta thinks that sounds like a sensible reason, so he grabs F.G. by the hair and drags him over to, like...some other spaceship (or maybe it's a building or something, I can't tell) and OMFG! F.G.'s girlfriend is there!!! She's wearing one of those explosive collar things that exist in tons of horror and sci-fi movies, but that don't exist in real life. F.G. tries to lie and say he's never seen her before, but John Travolta already knows that she's F.G.'s special lady, so F.G. makes sort of an "oh shit" face and John Travolta responds by looking very gleeful. John Travolta threatens to blow her up, but he doesn't, but then he has Forrest Whitaker use the collar to blow up some other guy instead, who I guess F.G. really liked a lot even though I have no clue who the fuck that guy even was. John Travolta and Forrest Whitaker laugh about it evilly and say, “Stupid humans!”

Adam

So Johnny is back in prison and probably a little upset about how his friend had his head blown off and whatnot. His buddy tries to cheer him up by giving him a pep talk. He says things like "this ain't living," which is definitely the one thing you shouldn't say to a depressed person. Johnny cuts off a lock of hair with a spearhead he kept in his pocket. Yes, the prisoner carries a weapon on him. Jesus, what kind of prison are the Psychlos running? Anyway, upon doing this stupid thing, the rest of the man-animals decide that they want to fight against the Psychlos, and begin barking like that dip-shit Tim Allen on Home Improvement and climbing on the bars of their cells. The barking makes Johnny realize that these morons will do whatever he says because he happens to be the smartest man-animal in the greater post-Apocalyptic Denver metropolitan area.

Scene changes via Star Wars-esque wipe to a Psychlo bar.

Terl (John Travolta) introduces Ker (Forrest Whitaker) to his Psychlo lady-friend, who kinda looks like this chick I dated briefly, only the Psychlo chick in the movie has a much longer tongue but surprisingly a much smaller forehead than the chick I dated. Terl then makes Ker leave so he can talk business with his "soon to be newly acquired secretary." Soon to be newly acquired? Ker leaves and the chick hands Terl the secret documents required to blackmail the really old crotchety Psychlo and then acts just like a female man-animal by demanding that Terl provide her with wealth and property when they return to Purple Planet Psychlo.



The scene shifts to an impromptu board meeting where Terl blackmails the old man by telling him he knows about the double bookkeeping scam the old guy was pulling. He threatens to vaporize the old man but also gives him a stack of blank forms that Terl insists he sign. Holy exposition, Batman! The old man then informs Terl (who obviously already knows the details of the elaborate blackmail-power-grab) that if he signs the papers, then Terl will rule the planet and the old guy will be nothing but a puppet! Old people are dumb.

Another stupid wipe to a scene where Terl is talking to some Psychlo about the new orders to get more mining equipment and training the Man-Animals to mine. Why didn't they just call them Manimals? Every time I hear someone say Man-Animals, I think they're stuttering. Anyway, Terl takes Johnny Goodboy to the Psychlo flight simulator. Johnny, of course, learns how to fly an alien aircraft in two tries.

The next thing we know is that Johnny is flying a bunch of human-animals to mine for gold. Terl makes them stop because he can't breathe past a certain point, so he puts on the stupid nose plug (but continues breathing from his mouth with no problems) and drops the man-animals out of the space ship but warns them that he'll be watching them.

Johnny and his friend hatch a plan to steal gold from Fort Knox. Somehow Johnny has been reading books in his spare time and has heard of Fort Knox and its location. His friend tells him that his plan is shit because they don't have the manpower. Of course, two seconds later a bunch of savage human-animals show up and offer to help.

Anyhow, because they suck at geography, Johnny and friends stop off in Washington D.C. on the way to Fort Knox. They go to the Library of Congress and easily find a map showing where every single nuclear warhead in the U.S. is located. They then have a brief meeting and discuss why they have to fight against the Psychlos and they say the normal trite stuff which amounts to: they're the last of humanity and they ain't goin' down like bitches. They then head to Fort Hood to stock up on 1000 year old guns and airplanes, which will of course work without a single glitch because that's the kind of movie this is. But since flying an F-15 is not as easy as flying the technologically-advanced Psycho spacecraft, they can't learn to fly these ancient machines! Oh, if only they had a 1000 year old working flight simulator! Two seconds later, they've found a functional 1000 year old flight simulator and they learn to fly pretty much instantly because it just isn't as hard as it looks; even though they lived in caves a few weeks ago. Maybe that should be the Air Force's new slogan: "Flying a fighter Jet: So Easy A Caveman Can Do It."

The man-animals also track down the nuclear bomb that they need to blow up the Purple Planet of the Psychlos. It turns out that they need to figure out how to arm the firing mechanism! These dumb slobs don't even know what the mechanism looks like, but somehow they know that this information is in appendix A. But where is Appendix A? Oh no! Humanity is doomed to serve out its last days as slaves to a cruel race of pompous aliens with dreadlocks who force them to do hard labor! The entire fate of mankind hinges on finding Appendix A! And because Battlefield Earth is that kind of movie, they search for 10 seconds and stumble upon it accidentally, with hilarious results.

Finally, Johnny explains to his renegade tribe (and the bewildered audience) that one bomb can destroy the entire Psychlo planet because the radiation reacts with the atmosphere. Johnny won't explain how this works scientifically, or how this conclusion was reached. We're just going to have to trust Johnny. Mickey wants go on the suicide mission to deliver the nuclear bomb. He claims that humanity needs Johnny and his big brain. Johnny doesn't even try to argue, probably because he doesn't want to die before he's had filthy sex with the chick with the bomb collar.

Maria

We open my part of the review with Johnny and his crew arriving at Fort Knox. Because it's the apocolypse, the doors open right away, even though they haven't been open in 1000 years. Johnny, Carlo, and Mickey marvel at the beauty that is gold, even though they don't know what it is. They load the plane or whatever they're using with gold, along with weapons.

Travolta arrives to see how the mining is doing and he questions that the gold is bar shaped. Johnny explains that he figured Terl wouldn't want just a bunch of small tiny nuggets and perfers the more professional looking giant bricks. Terl pretends that this is true when he didn't even think of this himself, but as a result of making Terl feel stupid, he orders Johnny to get more gold in 7 days! Johnny pretends this is a big deal but we know better, right? Wink-wink.

Ker is doing some guard duty around the cages when Johnny shows up out of nowhere and tells him that Terl isn't going to cut him in. Ker is like "Nuh-uh man!" and Johnny tells him he has the recording that Terl made earlier that would make Ker look bad. Ker demands it back but Johnny gives it to his friends in the cages and they pass it around like a passed out Paris Hilton at a party. Ker realizes Johnny has the upper hand and gives him the switch that would blow up Chrissy's head. And I guess the keys, cause Johnny is opening the cages and letting all the man animals out. Johnny takes Chrissy's neck bomb off and "keeps it for later". So now the revolution can begin! Course it don't take long for the Psychlos to know they're all missing.

Johnny and his friends all arm themselves and they proceed to kick ass! WOO!! Meanwhile, Ker is in Travolta's office with his feet on the desk and enjoying an alien margarita while some clip of Travolta talking about this gold/man-animal plan is playing in an endless loop on the TV monitors. Travolta walks in and sees this and Ker is like "I got you!" and Terl is like "Wow, you sure did!" and Ker is like "Don't kill me, I got a copy of this hidden somewhere" and Terl is like "OHH you do, huh?" and proceeds to guess who could have a copy until he correctly guess it's the bartender, who's head Terl cut open. Then for no reason I can see, Terl shoots off Ker's hand. Ker is sent back to work and he acts like he didn't have his hand shot off. How Terl know Ker double crossed him and that the bartender had this tape is a mystery.

Carlo is running through the rooftops of somewhere. He’s one of the men that Jonnie meet way at the beginning the movie. That seems like several hours ago. He’s running away because a Psychlo ship is chasing him. The Psychlo couldn’t possibly know what Carlo is up to so I guess he’s just chasing Carlo around for fun. But the joke is on the Psychlo! Carlo has a rocket launcher hidden up on the roof with him. He shoots it at the ship, missing of course, but fortunately it’s one of those rockets that will turn around and hit the thing you’re shooting at if you miss. Carlo is very happy about the ship exploding and there is a delightful view up his nose for about 5 seconds as he makes his trademark “Hoo hoo!” noises. Don’t celebrated too soon Carlo, there are a few more ships behind you! Just as Carlo realizes it, another missile comes out of no where and hits a ship. Carlo looks over and sees it’s cavemen flying jets!

Now I’m going to try to not go off on a tangent about cavemen being able to fly 1000 year old airplanes, but these are the same people who didn’t know about triangles 20 minutes ago. So after maybe one day of training they can fly planes that should be all rusted and decrepit as well as seasoned pilots can after months and months of training? Good thing!

There's no way in Hell that these planes would be working.

The music implies that I should be feeling some sort of emotion during the dogfight scene, but I don’t care. Some of the cavemen jet fighters get blown up and some Psychlos get blown up too but you can’t really tell which plane is which so it doesn’t matter. Some of the movie’s beloved characters die in the scene, I think. The lead caveman runs out of missiles so he flies his plane into the Psychlo plane. He hits the eject button before he crashes but you don’t see a parachute or an ejector seat so I guess he’s dead. Oh well.

Jonnie and Sammy are in the transporter room getting ready to transport poor Sammy to the planet Psychlo with the nuclear bomb. Sammy looks so innocent and sad and may actually be a character I sort of like, but I’m feeling kind of sick today so that could be my problem. Jonnie kills a couple of Psychlos and for some reason takes his nose clip breather thing off. Every time a character in the movie takes their thing off they take a deep breath because we are too stupid to realize that they can breathe now.

Sammy tells Jonnie, “You know what you gotta do,” and waits on the transporter for his heroic moment. Jonnie goes back to the control room and the transport sequence begins. Twenty Psychlo seconds until transport!

More Psychlos find Carlo and the bombs. “Hurry up and transport Sammy, Greener! They‘re destroying the bombs! It‘s now or never!”

Four Psychlo seconds until transport!

“Blow the dome!” yells Johnnie. “Go go go!”

One Psychlo second until transport!

Terl comes in the transporter and flips the switch to stop the transport.

“Interrupting something!?” he yells as he grabs Johnnie by the neck yet again.

Why, yes. In fact you are.

Jason

Doesn't "Blowing the dome" sound rather naughty? Maybe it's just me.

Anyway, Carlo or Decarlo or whatever finally "blows" the dome and we get several Michael Bay-inspired shots of bombs exploding and glass shattering. I guess what they were going for was to completely blow open this dome but all this bomb did was shatter the glass. Too bad Hans Gruber from "Die Hard" isn't here right now, I could go for a little "Shoot da glass!" right about now.

Carlo realizes he fucked up and has to blow this dome open himself. Meanwhile, Terl, who has Johnny in a stranglehold, goes on a Psychlo intercom and tells all the Psychlos to go ahead and shoot and kill all the "man-animals" in sight. Expect a scene with a human and a psychlo going "HUMAN SEASON!" "PSYCHLO SEASON!" while a confused Elmer Fudd stands by.

Carlo flies his 1000 year old ship into the dome, hoping that'd shatter the whole thing but no, it's not suspenseful enough. Carlo is hanging on, looking down onto all the psychlos shooting and killing his friends. He looks over and finds a crate full of explosives just sitting there. WOW! HEY! I'm glad THAT'S there! Carlo counts down and his final words are "piece of cake", which is really what he wished his final meal was, and using a rocket launcher, blows the explosives and the dome comes crashin' down. One thing I don't get, and yeah this is small in comparison to the rest of the crap in this movie, is wouldn't the shattered glass fall on the HUMANS, who, as a design flaw, can easily get cut to bits by falling shattered glass?

Oh well, if no one involved with the movie thought about it, I won't either. I'm also gonna ignore the fact that this "glass" just looks like blocks of ice. Yep, gonna ignore that too.

Terl reactivates the transportation sequence and tells his goons back on his planet to get ready to lay the smackdown on Earth. This gives Sonny, or Shawn, or Steve, whatever his name is with the A-Bomb that still works somehow, a chance to go into the transportation field and get teleported to the planet. He arrives and before the Psychlos can anally rape Sonny, he detonates the bomb, which causes an explosion, which literally incinerates the entire planet into little itty bitty dust particles. Wow.

Meanwhile, Johnny and Terl are fighting and during the fight Johnny puts that explody neck collar around Terl's arm and...for fuck sakes, he didn't even feel it. Well, he's gonna feel it now, cause Johnny tricks Terl into setting it off, cause he thought it was still around Chrissy's neck. So Terl's arm completely explodes and I guess Psychlo's have no blood or arteries, cause when Forest Whitaker lost his hand all Luke Skywalker like earlier, there was no blood flowing out of the stump. He just had a stump. Same here, Terl lost a whole fuckin' arm and nothing, no blood. And Terl looks more hurt that he got tricked by Johnny then losing a whole non-bloody arm.

And even this movie realizes it's too damn confusing cause it had to remind us about the neck collar by showing us a 2 second flashback of Johnny taking the collar off. Like "Hey, idiot watching this! I know this movie is TOO ADVANCE for you, so here's an explanation on what's gonna happen!" Well, thanks for explaining that. How about explaining the 2000 other things that don't make sense? No, wait, forget it. I want this over with.

So the planet Psychlo is destroyed, all the Psychlos on Earth are dead, and it's a new sunshiny day! Think I'll go for a walk outside now. The humans regroup and are like "Yay we're free!" and proceed to rebuild humanity, which I'm sure requires a lot of fucking. Lots and lots of fucking.

We go to Fort Knox where we see Terl is locked in a cage and Johnny is outside, tormenting him. Terl wants to know why he's still alive and Johnny explains that if somehow they missed a Psychlo somewhere and wanna enslave humans again, Johnny will show them the recording of Terl saying he did all this shit by teaching "man animals" how to work machinery and how to fly and stuff, so he's responsible for the destruction of Psychlo-kind, therefore, Terl will be a wanted dead man.

Terl laughs and orders Forest to kill them all but nope, Forest turned traitor and is now on the humans side! He's even "Head Psychlo" which don't make sense cause he's the ONLY psychlo. But if it makes him happy with his "title" let him be. Forest helpfully reminds Terl that he finally got what he wants, to spend time with his precious gold. And with this, the movie ends.

You may be wondering why Terl, and even Forest, didn't die at the end. Well, to get back to what I was talking about earlier in the intro of this review, the reason is that everything we just watched was really the first half of novel "Battlefield Earth". There's still, like 2000 more pages to this damn story. And as a result, Travolta at the time really thought he was making a good kickass movie that people would be like "FUCK STAR WARS!! PSYCHLO ALL THE WAY!!" and intended on making a sequel!

Well, needless to say, that didn't happen and if we're lucky, it'll never happen. I haven't been brave enough to read the book so I'm not exactly sure what happens after this point in the "story" but whatever, we're just doing the movie, and thank Xenu it's finally over.

***
Final Thoughts & Rating

April
The sets visual effects were great in some parts, cheesy in others, which makes for "almost perfect" in the B-Movie world. The story was truly stinky for a myriad of reasons and the acting... Peeee-yeeewwww!!


Felicia
Someone wasted a trillion dollars or so on this movie just to say “greed is bad”. I could’ve done that for free. Wait, I just did. There are worse movies out there, though. I’m sure the critics deemed this movie ‘bad’ because of it’s ties to scientology. Simple math time…scientology is bad x greed is bad = this movie should burn in Hell.


Devon
I'm not very familiar with the original source material that inspired this unique piece of cinema, but aside from its overly-ambitious digital effects, I think it's major problem is that it was made by Scientologists, and so they were afraid that if they changed around the story at all, L.Ron Hubbard's discorporated superconsciousness would like fly back to Earth from whatever galaxy it's currently living in and smite them all with burning lava or something. I've seen a copy of this book and it is an enormous fat book, and I'm sure there's lots of stuff in there which was removed from the film, but the problem is that by not shifting the story around and sort of streamlining it to accommodate those omissions, the filmmakers were forced to just hastily summarize big chunks of the story in a variety of ways that were usually very awkward, and sometimes insufficient and confusing, while also incorporating a lot of material that pretty much felt like filler.
The digital effects were really, really awful too, especially the digital landscapes, which were mysteriously not created by Industrial Light and Magic, even though the director of this film was also like the set designer or something for the original Star Wars movie, so I guess he must have done a really shitty job on that movie too if Lucas wouldn't just cut him a fucking break and let him get some cheap digital effects for his Scientology movie (not like I'm criticizing Star Wars or anything, please don't send me angry 40 page e-mails about how amazing the sets were in Star Wars and what a philistine I am for not being able to fully understand their brilliance; maybe the guy was just a dick to the Craft Service people one too many times, I wasn't there so I really don't know.)
All intellectualizing aside, the movie was seriously way funnier than I remembered it and it had lots of explosions and silly costumes with big prosthetic foreheads, so I give it an A. Or at least a C+.


Adam
The movie itself isn't that bad as bad as people make it out to be. It isn't good either; just a mediocre sci-fi movie. It's better than the Star Wars prequels, but that isn't saying too much. Considering that the source material was the rotten L. Ron Hubbard book, Battlefield Earth is surprisingly solid. I attempted to read this book a few years ago. It was beyond awful. If a 13 year old had written all 1000 pages of Battlefield Earth, I would have thought that the kid might be able to become a decent writer later in life if he worked on storytelling techniques and learned how to control his impulse to indulge in every cliché imaginable. It's unforgivable that an adult wrote this book. I can't believe that L. Ron Hubbard actually had anything he wrote published.
There is one major thing about the movie that bothers me. We know that the psychlos invaded Earth and pretty much destroyed civilization. They imprisoned whatever humans they could and started mining the planet. But throughout the movie, we see Psychlos running around inside buildings that humans built. They could obviously see that "human-animals" had some sort of advanced technology at some point, but everybody seems surprised when humans can fire a gun or organize a rebellion or do anything that requires any sort of intelligence. They mention that the Psychlos conquered Earth in 9 minutes. In that 9 minute span, the U.S. Government didn't send an aircraft to attack the invaders? Nobody in Denver fired guns at the scary alien aggressors? There just isn't any reason for the Psychlos to think that the human-animals weren't capable of mounting a resistance.
Still, if the movie were based on a story that wasn't ridiculous, it might have had potential. I give it credit for being as solid as it ended up, all things considered.



Maria
There are many things wrong with Battlefield Earth. The biggest problem I have is the varying levels of intelligence shown by the humans. This is supposed to be the future yet they don’t know what triangles are or about glass and plastic and statues. The world is swimming in these things now they won’t still have some knowledge of them in the future? The movie seems to forget that it actually is supposed to be 1000 years into future. Everything is pretty much the way it was left when the Psychlos came except with a little dirt on it.
And the entire movie is shot at an angle. Sometimes it’s a slight angle and sometimes it’s extreme. I wonder if this has to do with the “having leverage over someone” theme that went throughout the movie. If I watch the movie again will I find the person who has the most leverage being highest up on the screen? I wouldn’t be surprised if it was all planned out that way. They could never just put the camera flat and shoot straight.
I hate the Psychlos. They are awful characters. I wonder how they even have a species left to conquer anything. They all seem to hate each other and are constantly trying to do away with each other. Terl is the worst character in the movie. I hated him. I wanted to throw up when he was on the screen. I didn’t like John Travolta before, now I hate him.



Jason
I've watched this movie about 5 times now and honestly, each time I watched it, the pain got less and less. No, I didn't end up liking it or anything. And granted, the past 3 times or so it was just in chunks to get images or to review my part. But the pain is still there. The story don't really make any sense. I mean how does an alien race know about gold? Why don't these human/man-animals know about anything that happened 1000 years ago? Weren't they the least bit curious as to how they got into this sucky ass situation? Why were the non-slaves dressed like they were extras in "Clan of the Bear Cave"? Why do airplanes and projectors and A-bombs still work but not cars?? WHY-
Ok, I'm gonna stop before I cause my brain to explode. This movie just sucks Xenu balls. But it could be worse, it could be a movie adaptation of "Dianetics".
"What part of the mind thinks that giving John Travota money to make a movie based on a wacko's novel is a good idea? Page 402."